A.L.E.M. is one of
Italy's fastest growing literary agencies
that reaches far beyond it's borders
representing clients in the United States,
Spain, Germany, etc. A.L.E.M. specializes
in the promotion of its clients through
its vast services including marketing,
advertising, research, media placement,
special events and trade shows, manuscript
translation and evaluation, as well as
arbitration and joint ventures.
Founded in 2004 by
ex-Apple executive and acclaimed writer,
Tina
Rigione, A.L.E.M. continues to
prove itself as a "writer's agency"
fulfilling the needs and goals of authors,
collaborators, agents, co-agents and
publishing houses alike. President of
Cultural Association and Publishing House "Per caso
sulla piazzetta" in Avellino,
Italy, Tina Rigione has made A.L.E.M. into
a force that promotes new and established
writers in new and established markets.
A.L.E.M. is present at every major Book
Fair all over the world including Turin,
Rome, Frankfurt, New York, etc. promoting
the interests of writers in the Romance,
Poetry, Horror, Thriller, Fantasy and
Essay genres. A.L.E.M. is also making its
presence felt online through effective
internet strategies. Using traditional and
innovative methods, we do our best to make
sure your work gets expressed, read,
packaged, and published!
OUR BOOKS
PUBLISHED
Mondolibri,
Milano
Mondolibri,
Milano
Gargoyle
Books, Roma
Jack
Ketchum: "The girl next
door" and "RED", Italian
version
Ketchum has
become a kind of hero to those of
us who write tales of terror and
suspense. He is, quite simply,
one of the best in the business.
Stephen King.
Jack
Ketchum is
the pseudonym for a former actor,
singer, teacher, literary agent,
lumber salesman, and soda jerk --
a former flower child and baby
boomer who figures that in 1956
Elvis, dinosaurs and horror
probably saved his life. His
first novel, Off Season, prompted
the Village Voice to publicly
scold its publisher in print for
publishing violent pornography.
He personally disagrees but is
perfectly happy to let you decide
for yourself. His short story The
Box won a 1994 Bram Stoker Award
from the HWA, his story Gone won
again in 2000 - and in 2003 he
won Stokers for both best
collection for Peaceable Kingdom
and best long fiction for Closing
Time. He has written eleven
novels, the latest of which are
Red, Ladies' Night, and The Lost.
His stories are collected in The
Exit At Toledo Blade Boulevard,
Broken on the Wheel of Sex, and
Peaceable Kingdom. His novella
The Crossings was cited by
Stephen King in his speech at the
2003 National Book Awards.
THE GIRL NEXT
DOOR. Suburbia in the
1950's. A nice quiet simpler time
to grow up -unless you count the
McCarthy trials and red-scares
and the shadow of the Bomb and
the Cold War, unless you could
see the dark side emerging. And
on a quiet tree-lined dead-end
street, in the dark damp basement
of the Chandler house, it's
emerging big-time for teenage Meg
and her crippled sister Susan
-whose parents are dead now, who
are left captive to the savage
whims and rages of a distant Aunt
who is rapidly descending into
madness. It is a madness that
infects all three of her sons
-and finally an entire
neighborhood. Only one troubled
boy stands hesitantly between Meg
and Susan and their cruel,
torturous deaths. A boy with a
very adult decision to make.
Between love and compassion, and
lust and evil.
RED. It all started
with a simple act of brutality.
Three boys shot and killed an old
man's dog. No reason, just plain
meanness. But the dog was the
best thing in the old man's
world, and he wasn't about to let
it pass. He wanted justice, and
he'd make sure the kids paid for
what they did, even if it cost
him his life. They picked the
wrong old man to mess with. And
as the fury and violence
escalate, they're about to learn
that... the hard way.
DARIO FO,
SINDACO? - DARIO FO, MAYOR? (Twin
faces series with Italian and
English
languages). It is based, at
its starting point, on a real
fact which occurred in late 2000:
The possibility of Italian Nobel
prize winner, Dario Fo, becoming
candidate to the council of Milan
as Mayor. Using this real fact,
the author speculates and creates
a fictitious parody of what could
have possibly happened if Fo
entered politics and finally
became Mayor of Milan. The
fundamental question: What can
happen when a minstrel, a theatre
man who has lived his entire life
on the off-off of any organized
structure, that hates political
parties and institutions, an
anarchic guy that aspires to be
rebellious and subversive, faces
politics built upon mass media
and understood solely as the
manipulation of public opinion?
Any resemblance to reality,
beyond the triggering event
mentioned, is pure coincidence.
Or maybe not. Does Politics
involve mass media manipulation?
That is the question that is
surfaced into "Dario Fo. Is
Mayor?", A parody on the
"aborted" Dario Fo candidacy as
Mayor of Milan. Critics have said
"a hilarious critique of
corporate policy and especially
the power of the media".
"Humourus and resembling Fo's
style and with a wink to Chaplin
and the Marx brothers."
SEI MANI
SULL'AVORIO - SIX HANDS ON IVORY
KEYS (Twin faces series with
Italian and English languages)
is
not only a basic handbook for
those who prepare to study piano.
It is an exclusive and important,
up-to-date work containing
technical and historical
information. It is a catalogue of
the most relevant international
musicians and composers who, in
the last two centuries, have
composed and transcribed operas
for piano for four, six, eight
hands, for one or more
pianos.
TENUI BAGLIORI
(Tenderly). Tender are the
flashes, that illuminate the
characters' lives in this novel,
flashes that burn outas soon as
they shine. And above them there
is a light: Ms. Concetta, that
with her simplicity and the
troubles of her life, discovers
the daily miracle of existence,
the magic of little things and
finds an answer to questions that
man asks during his life. The
author describes the modern
world, where the welfare, the
success and the pleasure don't
fill the void of soul, that
aspire to the absolute. The soul
seeks love as the secret of
extreme happiness that seems an
unattainable goal.
LA SCELTA (The
choice). On
the verge of the marriage,
Elena's well planned life is
overwhelmed by an unexpected
encounter. Elena is anxious
idealistic young woman who
suddenly finds herself split up
between the solidity and
reliability of a man she seelf
about a great attachment and the
joy and the completeness of a
great love full of doubts and
uncertainty. Claudio and Ottavio,
two different men, two different
worlds completely in stark
contrast to each other. The
former, a young professional
whose main aims are the family
and the career, the latter a man
who spends is life living into
the present, without any plans
for his future, considering life
as a miracle wich grows stronger
day after day. On the one hand
the reality, on the other hand
the dream and between these two
dimension-she- Elena. A heart
rending struggle, an in-fighting
internal conflict between the
heart reasons and the mind ones.
The turning over of strong
emotions, wich anyone as lived a
true love affair will be able to
live again in reading this
story.
THE GIRL WITH
VIOLET EYES -fantasy
novel-.
In a
far away land, Japan, seven very
different girls meet and become
friends. Their roads cross to
converge towards an only point:
"Him". The girls, a few month
from their eighteenth birthday,
discover the existence of
something strange inside their
souls. Lost and adrift, they
begin to believe they are crazy
but the moment they accept
without delay the strange
presences, the greatest adventure
of their lives begins. What, or
rather, who was hidden inside
them had a precise name. Each
girl discovers to be the
discendant of an important
priestess of the past. When they
understand the truth about their
mission, the friends separate and
take different roads in order to
become strong and to be at the
height of the assigned mission.
Their journey, three years long,
winds out in different stages and
is marked by losses and
conquests, defeats and victories,
death and life. In the end the
girls succeed in their attempt
and even if they have to pay a
very high price, they find the
much wanted peace.
PEDRO MONTALBAN
KROEBELhas
developed a successful career as
an executive and a management
consultant in different
industries, including executive
production for the theatre show
biz. Inspired by this relation
with professional theatre he
started to pour his creativity
and story telling skills into
playwrighting. His first play,
Amor de Madre (Mother Love) was
published in 2002, and since then
his plays Dario Fo. Alcalde?
(D.F. Mayor?), La Fascinacion de
Gil-Albert (The Fascination of
GA), El Ultimo Vuelo (The Last
Flight), Paso a Dos (Step dance
for two) and Larga Noche de
Silencio (Long night in silence)
have all been published and
staged. He is also responsible of
almost a dozen short plays, that
have either been published in
collective books or staged. In
2007 he won the Carolina Torres
Foundation Literature Award for
his complete works and in 2008
the Alejandro Casona Award for
Perspectivas para un cuadro and
the Badalona Award for El Ultimo
Vuelo. His stories, comedy, farce
or drama, are always marked by
the dissolution of the barriers
between imagination and reality.
One never knows if the characters
in his plays are either dreaming
their wishes or living real life.
A bit like Pedro himself. A bit
like everybody. "Above all, l
enjoy the creation process
itself", says Pedro, "lf the
writing journey is full of
pleasure and joy; somehow it will
get passed on to whoever receives
it." Eclecticism is probably the
best word to define his
preference's in literature, art,
music and films, which are his
major time consumers. He has
recently decided to explore other
writing territories. His short
story La Coma me mata (The comma
kills me) has won the Aenigma
Award Accesit in 2007. He has
also been jury member of the
Azorin Novel Award, published by
Planeta, in the 2006 and 2007
editions.
A.C.
LEWIS is a
novelist known for his lucid and
engaging narrative and break-neck
pace that leaves the reader
almost tearing the pages as they
read. Lewis draws from years of
torment, violence, personal
trials and tribulations as well
as his confrontation of personal
demons and subsequent
psychotherapy which gives his
characters depth and
believability. His work is
introspective as well as
extroversive. Lewis prides
himself on the scars he carries
both on his heart and on his skin
as well as the numerous tattoos
that find a way in one form or
another onto the pages which he
writes.
---
There is a dark
world where people lose
themselves to the demons that
lurk within and just as the ink
flows from the pen of A.C. Lewis,
so does blood on every page. His
work is a journey into madness
where pain gives way to reason
without reason and the obscure
origin of violence. It is
psychological horror at its
best.
TONI
CUCARELLA is the literary
pseudonym of Lluís Antoni
Navarro i Cucarella, who was born
in Xàtiva in 1959. He
writes fiction and articles for
different publications. He
started to work at the age of
fourteen, after which he has had
all kinds of jobs. Notable among
his books are the novels
Cool:fresc (1987), El poeta (The
Poet, 1988), Bogart & Bogart
(1993) and L'última
paraula (The Last Word, 1998),
the latter work obtaining, ex
aequo, the City of Badalona Prize
and the Valencian Writers
Critics' Prize. With the novel
Quina lenta agonia, la dels
ametlers perduts (What a Slow
Agony, That of the Lost Almond
Trees, 2003) he obtained the
Octubre-Andrònima Prize
for Fiction and the Valencian
Writers Critics' Prize once
again. He is also author of the
short story collection La lluna
vista des de la terra a
través de tele (The Moon
Seen from Earth through the
Telly, 1990) and has written
fiction for young people with Els
ponts del diable (The Devil's
Bridges, 1995), winner of the
Samaruc Prize for Young People's
Writing, El lledoner de l'Home
Mort (The Dead Man's Nettle Tree,
1996) and L'hereu dels Tretze
(Heir of the Thirteen, 1999). He
writes articles for Levante-EMV,
El Punt,Caràcters, Ciudad
de Alcoi, Vilaweb, inter alia. He
is a member of AELC (Association
of Catalan Language Writers,
Carme Ros per a l'AELC).
PRIZES:
Rafael Comenge de
Narrativa (Alberic (1981):
Crònica de fets gloriosos;
Premi Samaruc de Narrativa
Juvenil (1996): Els ponts del
diable; Premi Ciutat de Badalona,
ex aequo (1998): L'última
paraula; Premi de la
Crítica dels Escriptors
Valencians de narrativa, ex aequo
(1999): L'última paraula;
Premis Octubre-Andròmina
de narrativa (2003): Quina lenta
agonia, la dels ametlers perduts;
Crítica dels Escriptors
Valencians de narrativa (2004):
Quina lenta agonia, la dels
ametlers perduts.
LùCIA
FREDA was
born in Avellino, where she
attended classical studies. She
got her degree in Giurisprudence
at University Federico II in
Naples. She practises the
profession of lawyer expert in
civil law preferring to devote to
problems concerning the family
and the marriage. Since she was a
girl she has always cultivated
the passion for literature
writing some novels and stories,
not jet published.
TIZIANA
SELLATO is a
young girl, she is twenty six
years old, she writes since she
is twelve. Her first experiments
were her personal diary pages and
reading is a party to this
passion. She reads foreigners and
italian writers prefering novels
and narrations publications.
There are many diferrents writers
she like, the most important are
Baricco, Ammaniti, Parrella. But
she reads also past writers:
Pasolini, Pavese, Calvino,
Fenoglio, Vittorini, Pratolini,
Morante. Among foreigner writers
she prefers Carver, Fante,
Bukowski, all the Beat Generation
writers with a particular
predilection for Kerouac. She is
studying to become a free lance
journalist and she likes to be
up-to-date about mondial and
italian politic. She likes also
contemporary history and the
great past journalist enquiries.
Her dream is to be a writer and a
journalist following the example
of the italian best journalists
like Enzo Biagi, Indro
Montanelli, Marco Travaglio,
Peter Gomez and the famous and
brave Roberto Saviano.
PIETRO
PELOSI a
professor at the University of
Salerno, is currently teaching
"Theory of Literature" (analyse
texts and so on). He took a
degree in "Lettere Moderne"
(literature and history of modern
civilization) at the University
of Naples. He has attended some
courses called "Alta cultura",
(related to the field of the
plastic and graphic arts),
Giorgio Cini's foundation in
Venice for some years. He has
been a member of A. I. S. L. L.
I. (an international association
to promote some scientific
activities related to the Italian
literature) for several years. He
is an Instructor at STATE
UNIVERSITY OF NEW YORK AT ALBANY,
Spring 1991, program: Italian
Novel and Poetry of the 20th
Century. He has reported in
national and international
Conferences and in different
levels of high schools. He was a
member or president of the jury
of the literary price and a
composer of light and classical
music, he used to paint. He has
had concerning amateur astronomy
more than ten years ago. Actually
he is doing a thorough study of
some ancient cultures, in
particular the Hindu and the
Jewish one. He has written upon
Italian writers such as:
Salvatore Quasimodo, Giacomo
Leopardi, Dante Alighieri, Guido
Guinizzelli. Such reviews were
published on several northern
America's periodicals such as:
«Italian Quarterly»,
«Forum Italicum»,
«Italica»,
«Rivista di Studi
Italiani» a. s. o, even also
on Italian periodicals such as:
«Esperienze
letterarie», «Studi e
problemi di critica
testuale» and so on. Many
daily newspapers such as
«L'Osservatore Romano»
e «Il Popolo» have
often reported his works.
GABRIELE
OTTAIANO has the chair of
Pianoforte at the
Conservatory "San Pietro a
Majella" in Naples. He obtained a
Piano diploma at a very young age
and graduated in Arts at the
University Federico II in Naples.
He has held concerts all over
Italy and abroad, both chamber
orchestras and solo performances.
He organizes events, literary and
music awards and is a composition
expert.
M.L.
GUERRASIO is a young
girl, she is 18 and she attends
the last year of high school. Her
future projects regard far off
countries and journeys and a life
which includes everything she
loves most: Drawing and Writing.
She considers them as her best
friends who never left her alone.
She began cultivating these
hobbies in her childhood. She
remembers one day, when she was
nine, her teacher asked the class
to compose a poem. She was more
attracted by the word "poem" than
the theme of the composition.
Anyway she keeps that day as the
beginning of everything. Drawing,
indeed, is something different,
that's not a passion, that's pure
love, unfortunately, not returned
by her talent. One night she was
lying in her bed with one of her
dearest friends and she told he
"Celeste, sometime, the route we
decide to cover, that's not the
route which decides to cover us".
Drawing didn't cover M.L.
Guerrasio. Writing, instead, run
over her in a rainy night. She
was in t bed and thinking.
Thoughts began to turn into
words, words became stories,
stories became dialogues,
dialogues began to be written. So
she understood how Writing would
have been something which could
not be set aside from her.
Wonderful countries, daydreams,
hopes, wishes, illusions,
everything was alive in her
pages. There, the route she
decides to cover and the route
which decided to cover her could
be loved and could love her at
the same time. In her pages there
weren't ties with reality. To
M.L. Guerrasio, Writing is her
parallel and favourite universe,
the place where weak or strong as
it is, everything will go as she
wants. She loves lots of things,
her family, her dreams, her
friends, her imperfections and
English. But she hates other
ones. She hates one of her
dearest friends when she explains
to her the truth before she
herself has understood it. She
hates depending on a boy, and she
hates more so that this boy keeps
her mind occupated without her
permission, but she loves his
smile. She also hates maths. She
loves her parents who have given
her life and made her life
sometime much easy, sometime too
difficult. She loves people who
have helped her, but she loves
more people who have pulled her
down, because she will be
stronger just for the pleasure of
contradicting them. She loves her
aunts who transmitted to her the
passion and love for reading and
literature. She doesn't propose
something new. The most important
thing to her is to be free. In
her stories she is everything she
would have liked to be but that
she has never been because of
laziness, pride, love, hate, luck
or misfortune. She proposes
stories whose characters are
loved by her. She feels that
characters alive in the depth of
her soul. She, as the others,
proposes just her heart.